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CrÃticas Strategic Occidentalism is a landmark study in contemporary Mexican literature that combines exhaustive, original research with clear thinking and stylish prose. Sanchez Prado establishes critical dialogues with major theorists in world, Latin American, and Mexican literary studies, but does so in constructively critical ways. '' - Brian Price, author of Cult of Defeat in Mexico's Historical Fiction: Failure, Trauma, and Loss Reseña del editor Strategic Occidentalism examines the transformation, in both aesthetics and infrastructure, of Mexican fiction since the late 1970s. During this time a framework has emerged characterized by the corporatization of publishing, a frictional relationship between Mexican literature and global book markets, and the desire of Mexican writers to break from dominant models of national culture. In the course of this analysis, Ignacio M. Sanchez Prado engages with theories of world literature, proposing that 'world literature' is a construction produced at various levels, including the national, that must be studied from its material conditions of production in specific sites. In particular, he argues that Mexican writers have engaged in a 'strategic Occidentalism' in which their idiosyncratic connections with world literature have responded to dynamics different from those identified by world-systems or diffusionist theorists. Strategic Occidentalism identifies three scenes in which a cosmopolitan aesthetics in Mexican world literature has been produced: Sergio Pitol's translation of Eastern European and marginal British modernist literature; the emergence of the Crack group as a polemic against the legacies of magical realism; and the challenges of writers like Carmen Boullosa, Cristina Rivera Garza, and Ana Garcia Bergua to the roles traditionally assigned to Latin American writers in world literature. BiografÃa del autor Ignacio M. Sanchez Prado is a professor of Spanish and Latin American studies at Washington University in St. Louis. He is the author of Screening Neoliberalism: Transforming Mexican Cinema, 1988-2012 and other books, as well as the editor of eleven collections, including (as coeditor) A History of Mexican Literature.
Xxii colloquium on mexican literature november 2018 xxii colloquium on mexican literature desconciertos literarios literary dysfunctions november 8 multicultural center lounge november 9 humanities amp social sciences building mccune conference room ihc research room november 10 alhecama theatre
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Publications romance languages and literatures strategic occidentalism examines the transformation in both aesthetics and infrastructure of mexican fiction since the late 1970s during this time a framework has emerged characterized by the corporatization of publishing a frictional relationship between mexican literature and global book markets and the desire of mexican writers to break from dominant models of national culture
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Reyes y la crÃtica literaria el nacional por ignacio m sánchez prado si un quehacer fue constante en la obra de alfonso reyes este fue la crÃtica literaria desde sus tempranas cuestiones estéticas pasando por series alternativamente clasificadas como simpatÃas diferencias retratos y capÃtulos hasta intervenciones su copiosa producción en torno a figuras como goethe o mallarmé reyes llevó a cabo uno
Literatura y globalización latinoamérica en el nuevo sánchez prado i 2018 strategic occidentalism on mexican fiction the neoliberal book market and the question of world literature evanston northwestern university press 14
Seminari internacional en format presencial de la es autor de seis libros entre los que se incluyen screening neoliberalism transforming mexican cinema 19882012 2014 y strategic occidentalism on mexican fiction the neoliberal book market and the question of world literature 2018 asà como intermitencias alfonsinas